Compose and Wait

Building images from the back forward adds depth—and interest—but it’s not intuitive. Our eye is naturally trained to go to the “object” in front of us, whether it’s a cute kid or cowboy.

Sam Abell (30+ years at National Geographic) generously shares an approach he calls “compose and wait” in his workshops. Over 10 years ago, I gave it a try and it changed the way I photograph—and see the world.

“Setting or scene first, subject second” nudges Sam. At first, it was awkward. But with discipline, you eventually find your stride. Once you’ve composed that back layer, you wait (and wait). Eventually someone or something of interest will slide into your scene, your imaginary set. Sky, cloud, mountains, audience, rails, cowgirl and horse, rails again, and then, finally, a cowboy.